Russell Yelland

Planning for the unplanned in STEM

Planning for the unplanned in STEM

Looking back at the many science, art and technical studies projects we have completed in recent years has been instructive.

Feedback on the visual appeal and functionality of these facilities has been positive, but a closer analysis reveals some surprising results.

In many of the projects, including seven government STEM Works funded developments, we discovered considerable occupation by classes not originally identified as target users. At Salisbury East High School, the small “dark space,” with its blackout capacity for science experiments and quick presentations of work in progress, was quickly adopted for English presentations. It seems the provision of spaces so different from a standard classroom can inspire students and teachers across all disciplines to rethink what they do and how they do it.

There are many articles noting how STEM skills and critical thinking are vital to Australia’s future; concerns about low numbers of science and mathematics graduates, and much talk about the importance of innovation. When it comes to design of spaces for STEM in schools, the principles seem to be the same as for most other disciplines: flexible, adaptable and interconnected environments encourage a range of learning styles. They also cater to groups of varying sizes and facilitate a broader range of activities. In short: imagination promotes innovation. We have seen the introduction of the Maker movement into schools, with laser cutters and 3D printers now common, and the rise of all things digital. What were once optional extras are now accommodated as standard within technical education facilities.

1/2 UniSA College: Science & Maths Centre, Mawson Lakes. Photographer: Michael Bodroghy

2/2 UniSA College: Science & Maths Centre, Mawson Lakes. Photographer: Michael Bodroghy

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When planning the UniSA College Centre for Science and Maths at Mawson Lakes, we identified the need for a range of table, seating and display possibilities with less emphasis on traditional lab experiments and more on space for 3D printers and scanners. The structure of the existing building only allowed us to create very small display windows facing circulation areas, but this became an advantage as it gave a museum-like prestige to the objects on display. The building fabric also tells a story – the recycled timber ceiling screen is a graph of global warming.

Concordia Nautilus Centre - Foucault Pendulum Stairwell. Pic: David Sievers

1/1 Concordia Nautilus Centre - Foucault Pendulum Stairwell. Pic: David Sievers

The award-winning Nautilus Centre at Concordia College includes maker spaces and art facilities – extending STEM to STEAM. As well as embedding mathematics into the design through patterns such as the Fibonacci sequence in walls, floors and ceilings, we embedded other learning experiences throughout the building. A Foucault pendulum is suspended in the double-height stairwell, tracing the earth’s rotation as it moves. Students can access a roof platform to gaze at the stars or drop weights to the ground. These connections between art and science demonstrate how shared facilities can explicitly inform the sharing of ideas.

UniSA's Mawson Institute Building V, a leading pre-commercial incubator and collaborative research facility in Adelaide's north. Photographer: John Gollings

1/1 UniSA's Mawson Institute Building V, a leading pre-commercial incubator and collaborative research facility in Adelaide's north. Photographer: John Gollings

At the tertiary level, research institutes that collocate disparate disciplines are often the heavy hitters when it comes to designing for flexibility and innovation. This intentional pairing of different pursuits not only encourages diplomacy and cooperation, it can be the stuff of medical breakthroughs and socio-economic opportunity.

Our work with Guida Moseley Brown Architects on the Mawson Institute Building V demonstrates this to good effect. In this flagship research facility, the university deliberately located labs and office spaces together, collocating a wide range of programs: from plasma coating and cell therapies to augmented reality. Opportunistic conversations and more formal collaborations are the end result, in an environment that permits curiosity and encourages a team approach to solving complex problems.

Solutions for storage and display plays a significant role in improving multidisciplinary resource space at Brompton Primary School.  Pic: Dan Trimboli.

1/1 Solutions for storage and display plays a significant role in improving multidisciplinary resource space at Brompton Primary School. Pic: Dan Trimboli.

Primary school STEM educators learn the potency of multi-disciplinary shared facilities early in the education journey. For Brompton Primary School, we worked collaboratively with the staff and students to arrive at the design of a flexible-use STEM building that would become a focal point for the school. Wet and dry activity areas permit mess and curiosity, retail-style flatwall storage displays keeps resources within reach and teaches responsible borrowing, and a commercial light rig above the space simultaneously educates about mass while hanging science projects and artworks. As at Salisbury East, the dark room allows crossover of a multiplicity of classes, where unforeseen collaborations can take place. This is the source of one of the most enduring lessons: shared spaces don’t just offer education in layers, they also tend to outperform for their investment. And that’s a win-win in any educator’s book.